Tuesday, 4 July 2017

Unit 27 Factual Filmaking Production: False Cures for Autism Research


Sourced from: http://www.autism.org.uk/get-involved/media-centre/news/2016-06-08-updated-so-called-cures.aspx?gclid=Cj0KEQjw-ezKBRCGwqyK0rHzmvkBEiQAu-_-LLCmrUZCiKaxDGUv8GpwDGx-gUQeI70XSWif8Q9A4WwaAjzl8P8HAQ

We are concerned by stories about two dangerous products being peddled as 'cures' for autism and other disabilities and conditions:

•GcMAF, an unlicensed blood product

•Miracle Mineral Solution (MMS), a bleach banned for human consumption

These products can be harmful – do not use them in any circumstances.

There is no verified scientific evidence of any kind to support the claims made by those who promote and sell these products. Authorities, like the Medicine and Healthcare Products Regulatory Agency (MHRA) and the Food Standards Authority, are investigating people selling these products.



How many people are using these products?

A handful of people have contacted us about these products, in the main to raise concern that they exist.

We’ve also reached out to our volunteer-run branches to try to establish whether there is demand but received a very low response rate. We have supported journalists researching the sale and use of these products and we know that they too have struggled to find examples of people using the products. Thankfully, this suggests that very few people have considered using these products.

However our charity is, of course, not in contact with every person on the autism spectrum or family member in the UK, so we can’t be certain how many people may be considering using these products. We also know how difficult life can be for families who can’t get support and how vulnerable they might be to claims from dubious individuals or companies.

This is why it's so important that families have access to up-to-date and robust information about support, therapies and interventions and report any concerns they have.

A 'cure' for autism?

Autism is a lifelong condition. There is no 'cure' and the idea of aiming to 'cure' autism is often deeply upsetting for people on the autism spectrum and their families, who see autism as a part of themselves or their loved ones.

Autism can present many challenges but there are many approaches and forms of support that can help autistic people to live full and happy lives, whether in employment, independent living or a care setting.

We would advise anyone looking for support to seek out reliable information before making any decisions about approaches, from trained local professionals, NICE guidance or our own information.

The National Institute for Health and Care Excellence (NICE) looks regularly at what the evidence says about interventions for autism. Its Quality Standard on autism explains which interventions and therapies are effective and rules out others. You can also find out what approaches we have found helpful during the 50-plus years we've been working with autistic people by reading our position statement.



What can be done?

It's important to do everything we can to make sure vulnerable autistic people and their families don't fall for claims made about dubious and/or dangerous autism treatments and 'cures'.

Prevention

•Equip the public with accurate and evidence-based information about which support, strategies and interventions can help.

•Campaign and work with professionals to improve support for autistic people, preventing them from falling into crisis and feeling the need to turn to untested therapies and interventions.

Vigilance and reporting

•Report the marketing and/or use of dangerous products targeted at autistic people.

•Alert the relevant authorities to dangerous products being marketed or sold so they can investigate and address their supply (see below for more information and contacts).

•We remain in contact with MHRA, who have advised people not to use GcMAF. They have recently confirmed to us that there is an ongoing investigation of GcMAF products. The MHRA also advise people not to buy MMS and they work with the Food Standards Agency who have issued warnings against using this product.

Is there any legislation in place?

We understand that some campaigners are calling for specific legislation to be introduced to stop the supply, marketing and use of dangerous therapies and interventions – often marketed as ‘treatments’ or even ‘cures’. Our charity shares their concern and agrees that dangerous products should not be sold or distributed. We’re always open to ideas on how to address this, and to adapting our approach (outlined above), but we do not believe that new legislation is the best solution at this time.

There are existing safeguards in place

•There are existing legal and regulatory systems and authorities governing medicine licensing, food and trading standards that have the power to investigate and stop the sale of dangerous products.

•It is already illegal to administer a harmful or dangerous product to another individual and can be prosecuted within the criminal law.

•Given that there is legislation in place already on the sale of dangerous products, we believe the best and quickest way of stopping the sale of these products is to make sure autistic people and their families get the support they need and have access to accurate and robust information about what works.

Concerns over efficacy of legislation

•There is very little evidence about the scale and nature of the problem, what any legislation would look like, how it would work and whether it would be successful. Without this evidence, it is not possible to make the case for legislation to any government. We are concerned that any legislation would be extremely difficult to formulate and enforce – not least because these products are available on the internet and, as far as we understand, are often sold as individual ingredients and only become illegal when put together. They also form a ‘moving target’ as charlatans and quacks find other products to sell.

•We’re also concerned that legislation would not stop people desperate for any solution from seeking out products which are already unlicensed and sold through ‘unofficial’ channels.

•We believe the time, effort and money that would go into creating new legislation would be better and more effectively spent enforcing existing laws and systems.

How we campaign

There are hundreds of things which we would like change about policy and public attitudes to make life better for autistic people and family members. But, our campaign work is funded by donations, so we have to prioritise to make sure we make the most impact. Find out how we decide what to campaign about.

What to do if you're concerned about a company or claim?

If you are concerned about the practice of an individual or company or the claims they're making in relation to autism and therapies and interventions, please contact the relevant authorities below.

•Citizens Advice Consumer Helpline: For concerns about a company or individual seller, their claims or practices. They can refer to Trading Standards to investigate.

•Advertising Standards Authority: For inaccurate or misleading claims made by a company or individual seller.

•Medicine and Healthcare Products Regulatory Agency (MHRA): For concern about a drug, medicine or medical product.

Campaigners

Emma Dalmayne and Fiona O'Leary are campaigning against these products, calling on governments to introduce new legislation.  You can read more about their work at Autistic Rights Together.

Unit 27: Documentary research NHS


Sourced from http://www.nhs.uk/Conditions/Autistic-spectrum-disorder/Pages/Symptoms.aspx

Autism spectrum disorder (ASD) is the name for a range of similar conditions, including Asperger syndrome, that affect a person's social interaction, communication, interests and behaviour.

In children with ASD, the symptoms are present before three years of age, although a diagnosis can sometimes be made after the age of three.

It's estimated that about 1 in every 100 people in the UK has ASD. More boys are diagnosed with the condition than girls.

There's no "cure" for ASD, but speech and language therapy, occupational therapy, educational support, plus a number of other interventions are available to help children and parents.

People with ASD tend to have problems with social interaction and communication.

In early infancy, some children with ASD don’t babble or use other vocal sounds. Older children have problems using non-verbal behaviours to interact with others – for example, they have difficulty with eye contact, facial expressions, body language and gestures. They may give no or brief eye contact and ignore familiar or unfamiliar people.

Children with ASD may also lack awareness of and interest in other children. They’ll often either gravitate to older or younger children, rather than interacting with children of the same age. They tend to play alone.

They can find it hard to understand other people's emotions and feelings, and have difficulty starting conversations or taking part in them properly. Language development may be delayed, and a child with ASD won’t compensate their lack of language or delayed language skills by using gestures (body language) or facial expressions.

Children with ASD will tend to repeat words or phrases spoken by others (either immediately or later) without formulating their own language, or in parallel to developing their language skills. Some children don’t demonstrate imaginative or pretend play, while others will continually repeat the same pretend play.

Some children with ASD like to stick to the same routine and little changes may trigger tantrums. Some children may flap their hand or twist or flick their fingers when they’re excited or upset. Others may engage in repetitive activity, such as turning light switches on and off, opening and closing doors, or lining things up.

Children and young people with ASD frequently experience a range of cognitive (thinking), learning, emotional and behavioural problems. For example, they may also have attention deficit hyperactivity disorder (ADHD), anxiety, or depression.

About 70% of children with ASD have a non-verbal IQ below 70. Of these, 50% have a non-verbal IQ below 50. Overall, up to 50% of people with "severe learning difficulties" have an ASD.

Symptoms of autism spectrum disorder

The main features of autism spectrum disorder (ASD) are problems with social communication and interaction.

See your GP or health visitor if you notice any of the following signs of ASD in your child or if you’re concerned about your child’s development.

Signs of ASD in pre-school children

Spoken language

•delayed speech development (for example, speaking less than 50 different words by the age of two), or not speaking at all

•frequent repetition of set words and phrases

•speech that sounds very monotonous or flat

•preferring to communicate using single words, despite being able to speak in sentences

Responding to others

•not responding to their name being called, despite having normal hearing

•rejecting cuddles initiated by a parent or carer (although they may initiate cuddles themselves)

•reacting unusually negatively when asked to do something by someone else

Interacting with others

•not being aware of other people’s personal space, or being unusually intolerant of people entering their own personal space

•little interest in interacting with other people, including children of a similar age

•not enjoying situations that most children of their age like, such as birthday parties

•preferring to play alone, rather than asking others to play with them

•rarely using gestures or facial expressions when communicating

•avoiding eye contact

Behaviour

•having repetitive movements, such as flapping their hands, rocking back and forth, or flicking their fingers

•playing with toys in a repetitive and unimaginative way, such as lining blocks up in order of size or colour, rather than using them to build something

•preferring to have a familiar routine and getting very upset if there are changes to this routine

•having a strong like or dislike of certain foods based on the texture or colour of the food as much as the taste

•unusual sensory interests – for example, children with ASD may sniff toys, objects or people inappropriately 

Signs and symptoms of ASD in school-age children

Spoken language

•preferring to avoid using spoken language

•speech that sounds very monotonous or flat

•speaking in pre-learned phrases, rather than putting together individual words to form new sentences

•seeming to talk "at" people, rather than sharing a two-way conversation

Responding to others

•taking people’s speech literally and being unable to understand sarcasm, metaphors or figures of speech

•reacting unusually negatively when asked to do something by someone else

Interacting with others

•not being aware of other people’s personal space, or being unusually intolerant of people entering their own personal space

•little interest in interacting with other people, including children of a similar age, or having few close friends, despite attempts to form friendships

•not understanding how people normally interact socially, such as greeting people or wishing them farewell

•being unable to adapt the tone and content of their speech to different social situations – for example, speaking very formally at a party and then speaking to total strangers in a familiar way

•not enjoying situations and activities that most children of their age enjoy

•rarely using gestures or facial expressions when communicating

•avoiding eye contact

Behaviour

•repetitive movements, such as flapping their hands, rocking back and forth, or flicking their fingers

•playing in a repetitive and unimaginative way, often preferring to play with objects rather than people

•developing a highly specific interest in a particular subject or activity

•preferring to have a familiar routine and getting very upset if there are changes to their normal routine

•having a strong like or dislike of certain foods based on the texture or colour of the food as much as the taste

•unusual sensory interests – for example, children with ASD may sniff toys, objects or people inappropriately

 

The exact cause of autism spectrum disorder (ASD) is currently unknown.

It's a complex condition and may occur as a result of genetic predisposition (a natural tendency), environmental or unknown factors.

Genes

Most researchers believe that certain genes a child inherits from their parents could make them more vulnerable to developing ASD.

Cases of ASD have been known to run in families. For example, younger siblings of children with ASD can also develop the condition, and it's common for identical twins to both develop ASD.

No specific genes linked to ASD have been identified, but it may be a presenting feature of some rare genetic syndromes, including Fragile X syndrome, Williams syndrome and Angelman syndrome.

Environmental triggers

Some researchers believe that a person born with a genetic vulnerability to ASD only develops the condition if they're exposed to a specific environmental trigger.

Possible triggers include being born prematurely (before 35 weeks of pregnancy), or being exposed in the womb to alcohol or to certain medication, such as sodium valproate (sometimes used to treat epilepsy during pregnancy).

No conclusive evidence has been found linking pollution or maternal infections in pregnancy with an increased risk of ASD.

If appropriate, your GP can refer you to a healthcare professional or team who specialise in diagnosing ASD, or someone who has access to such a team.

The specialist or specialist team will make a more in-depth assessment, which should be started within three months of the referral.

If you're referred to an individual specialist, they may be a:

•psychologist – a healthcare professional with a psychology degree, plus further training and qualifications in psychology

•psychiatrist – a medically qualified doctor with further training in psychiatry

•paediatrician – a doctor who specialises in treating children

•speech and language therapist – a specialist in recognising and treating communication problems

Some local health authorities use multidisciplinary teams. These are a combination of specialists who work together to make an assessment.

Assessment

A diagnosis of ASD is based on the range of features your child is showing.

For most children:

•information will be needed from your GP, nursery or school staff, plus speech and language and occupational therapists, about your child's development, health and behaviour

•a speech and language therapist, and often an occupational therapist, will carry out an assessment

•a detailed physical examination will need to be carried out to rule out possible physical causes of your child's symptoms, such as an underlying condition like neurofibromatosis or Down's syndrome 

•the assessment will include a check for any coexisting physical health conditions and mental health problems

In addition, for some children:

•you may be asked to attend a series of interviews so a detailed family history and the history of your child's development and behaviour can be drawn up

•your child may be asked to attend a series of appointments so specific skills and activities can be observed and assessed 

Once this process is complete, a diagnosis of ASD may be confirmed.

After diagnosis

When a child is diagnosed with ASD, many parents are keen to find out as much as they can about the condition. The National Autistic Society has an excellent range of resources and advice.

Diagnosing ASD in adults

Some people with ASD grow up without their condition being recognised, but it's never too late to get a diagnosis. Some people may be scared of being diagnosed because they feel it will "label" them, and lower other people's expectations of them.

But there are several advantages to getting a diagnosis. It helps people with the condition and their families understand ASD and decide what sort of support they need. A diagnosis may also make it easier to access autism-specific services and claim benefits.

It can be difficult to know which intervention will work best for your child, because each person with ASD is affected differently.

Some types of intervention can involve hours of intensive work, and this isn't always possible for many families because of the practical, emotional and financial commitments necessary.

The National Autistic Society website has information about the many different strategies and approaches available for ASD.

Any intervention should focus on important aspects of your child's development. These are:

•communication skills – such as using pictures to help communicate (as speech and language skills are usually significantly delayed)

•social interaction skills – such as the ability to understand other people's feelings and respond to them

•imaginative play skills – such as encouraging pretend play

•academic skills – the "traditional" skills a child needs to progress with their education, such as reading, writing and maths

The detailed assessment, management and co-ordination of care for children and young people with ASD should involve local specialist community-based multidisciplinary teams (sometimes called "local autism teams") working together. The team may include:

•a paediatrician

•mental health specialists, such as a psychologist and psychiatrist

•a learning disability specialist

•a speech and language therapist

•an occupational therapist

•education and social care services

Local autism teams should ensure that every child or young person diagnosed with ASD has a case manager or key worker to manage and co-ordinate their treatment, care and support, as well as their transition into adult care.

The Research Autism website provides details of the many different types of autism interventions, treatments and therapies.

Parent education and training

The parents of a child with ASD play a crucial role in supporting their child and improving their skills.

If your child has ASD, it's a good idea to find out as much as you can about the condition. The National Autistic Society website provides useful information and advice for parents, relatives and carers.

The Research Autism website is also a good source of information and has a section about the different issues that living with autism presents, including the impact of autism on the family.

Communication advice for parents

Communication is particularly challenging for children with ASD. Helping your child to communicate can reduce anxiety and improve behaviour.

The following tips may be useful when communicating and interacting with your child:

•use your child's name, so they know you're addressing them

•keep background noise to a minimum

•keep language simple

•speak slowly and clearly, with pauses between words

•accompany what you say with simple gestures

•allow extra time for your child to process what you've said 

 

Parent support programmes

In-depth advice and support programmes are available for parents of children recently diagnosed with ASD.

For example, the EarlyBird programme provided by The National Autistic Society is a free three-month course for parents whose child has been diagnosed with ASD, but hasn't started school yet.

The programme aims to inform and support parents, and offers practical advice about looking after their child and helping them improve their skills.

EarlyBird Plus is for parents of children who have received a later diagnosis of ASD and are four to eight years of age. The programme aims to address the child's needs at both home and school by training parents and carers, together with a professional who regularly works with their child.

EarlyBird and EarlyBird Plus programmes are run by licensed teams and are available in most parts of the UK. To find out if there's a team in your area, call 01226 779218 or email earlybird@nas.org.uk.

Psychosocial treatments

If your child's behaviour is causing problems, they'll be assessed for possible triggers, such as a physical health condition, mental health problem, or environmental factors.

A physical or mental cause will be addressed using medication and/or psychological treatments.

In some cases, such as where a child with ASD also has an anxiety problem, a psychosocial treatment may also be recommended. These are supportive treatments that help people overcome challenges and maintain good mental health.

The National Institute for Health and Care Excellence (NICE) provides more information about interventions for challenging behaviour.

Medication

In some cases, medication may be prescribed to treat some of the symptoms or conditions associated with ASD. For example:

•sleeping problems – this may be treated with a medication such as melatonin

•depression – this may be treated with a type of medication known as a selective serotonin reuptake inhibitor (SSRI)

•epilepsy–this may be treated with a type of medication called an anticonvulsant

•attention deficit hyperactivity disorder (ADHD) – this may be treated with a medication such as methylphenidate

•aggressive and challenging behaviour, such as tantrums or self-harming – this may be treated with a type of education called an antipsychotic if the behaviour is severe or psychological treatments haven't helped

These medications can have significant side effects and are usually only prescribed by a doctor who specialises in the condition being treated. If medication is offered, your child will have regular check-ups to assess whether it's working.

Treatments not recommended

A number of alternative treatments have been suggested for ASD. However, these should be avoided, because there's little or no evidence that they're effective and some may even be potentially dangerous.

Treatments that aren't recommended for ASD include:

•special diets – such as gluten-free or casein-free diets

•neurofeedback – where brain activity is monitored (usually by placing electrodes on the head) and the person being treated can see their brain activity on a screen and is taught how to change it

•auditory integration training – a therapy that involves listening to music that varies in tone, pitch and volume

•chelation therapy – which uses medication or other agents to remove metal (in particular, mercury) from the body

•hyperbaric oxygen therapy – treatment with oxygen in a pressurised chamber

•facilitated communication – where a therapist or another person supports and guides a person's hand or arm while using a device such as a computer keyboard or mouse

 

Funding treatments

Some of the interventions for ASD take a lot of time and labour, and can cost a significant amount of money if not available on the NHS.

Many local education authorities (LEAs) provide partial or sometimes total funding towards specialist education and training, but this varies widely between LEAs.

Adults living with autism

Some people with autism spectrum disorder (ASD) grow up without their condition being recognised, sometimes through choice.

However, a diagnosis can make it easier to access a range of support services that may be available locally.

It's never too late to be diagnosed with ASD, although it's not always easy because some local NHS authorities don't provide NHS funding for diagnosing ASD in adults.

Read more about diagnosing ASD in adults, or see The National Autistic Society website for further information about autism diagnosis for adults.

Treatment and support

With a proper diagnosis, adults with ASD may be able to access local autism support services, if available in their area. You can search for services for adults using the Autism Services Directory.

The healthcare professionals who diagnose you with ASD should be able to provide more information and advice about the care and support services available to you.

Read about assessing your care and support needs.

Examples of programmes that may be available in your local area include:

•social learning programmes – to help you cope in social situations

•leisure activity programmes – these involve taking part in leisure activities, such as games, exercise, or going to the cinema or theatre with a group of people

•skills for daily living programmes – to help you if you have problems carrying out daily activities, such as eating and washing

Adults with ASD may also benefit from some of the treatments offered to children with ASD, such as psychological therapy and medication.

Read more about the help and support available for people with ASD.

Benefits

Adults diagnosed with ASD can also claim some benefits, such as the Personal Independence Payment (PIP). This is the new benefit replacing Disability Living Allowance (DLA) for people with a disability who are aged 16 to 64.

You can find out more about benefits for adults with autism on The National Autistic Society website, or you can visit GOV.UK to read more about benefits.

Accommodation

Adults with ASD can live in all types of housing. Some people may be suited to a residential care home, while others may prefer to live on their own and receive home support. Some people with ASD live completely independently.

Supported living can work very well for some adults with ASD, because it means they can choose a place to live in the community, either alone or with other people, with the support they need. They may need 24-hour care, or they my only need help with important tasks for a couple of hours each week.

The level of support an adult with ASD needs will be decided after your local authority's social services carry out an assessment, and it's agreed with the person and their carer.

Read more about care assessments.

Employment

It can be difficult for people with ASD to find a job. For example, they may find the work environment too noisy, or travelling to work may be too stressful because of the crowds. Sudden changes in routine can also be upsetting.

However, in the right job and with the right support, people with ASD have much to offer. They're often accurate, reliable, and have a good eye for detail. Being in a working environment can help the individual's personal development tremendously.

Read about disability in the workplace and the Equality Act.

If you're having problems getting a job or staying in a job, you may be able to access a supported employment programme in your local area. These programmes can help you write your CV and job applications, and prepare you for interviews. They can also help you choose which jobs would suit you and provide training for that role.

Those providing the programme can also advise employers about any changes that need to be made to the workplace to suit people with ASD, as well as supporting you and the employer before and after you've started work.

See The National Autistic Society website to find help with getting a job.

Making decisions

Someone with ASD may have the capacity to make some decisions (for example, to decide what items to buy at the local shop), but lack capacity to make other decisions (for example, making decisions about complex financial issues).

Where someone is judged not to have the capacity to make a specific decision after they've had a capacity assessment, that decision can be taken for them – but it must be in their best interests.

Thursday, 22 June 2017

Unit 15 Creating a small business for media Task 2

For this Task I worked with Danniella Cooper and Matthew Taylor. I wrote the parts about the Kigali liabilities and responsibilities of a business owner and the the different legal statuses of Small businesses. My part of the article was about three pages long,



The screen shot above is about the different legal statuses that a small business could have. It also starts to show the legal aspects of running of a small business which include heath and safety, fire safety regulations 
 
and the screen shot below covers the rest of the Legal aspects part of the article. which includes legal liability and possible insurance for small businesses.  



The screenshot above covers Planning Permission, contracts, Duties and responsibilities, and the UK's Employment law regarding small business

this screenshot tells is of the regulatory bodies of businesses and about any sources of advice that a small business could and would need.

Wednesday, 21 June 2017

Unit 31: task 4-evaluation

The feedback we received for all three films was all positive, Educating Granddad won the College's equality and diversity competition the reason why it won is because we were the only one who used filmmaking to get our point across the rest of the participants just created posters. The Anti smoking film 'Smoking Kills' was nominated in the Cut Films National Anti Smoking Competition, and our Democracy video about voting in the latest general election was approved of by the current Labour MP for Stockton South, Dr Paul Logan. The reason he liked it so much is because it actively told young people not to waste their votes.

 I was production manager of a documentary about my life and how I have autism and how it affects my interactions with other people, it was a recut of a documentary I had previously done for an assignment,

The final products were very good as we won an award for 'Educating Granddad' and 'Smoking Kills' was nominated for the Cut Films National Anti Smoking Competition. And the Democracy film 'Vote' was approved of by the Local MP, Dr Paul Williams.

If I were to do this again I would have had more participation in the production of the other three videos as with two of them it was a frankly pathetic level of participation and on the third. There was no participation what so ever in regard to the production but on mine I would have had asked more questions for the interviews and tried to be more in-depth with both questions and answers in order to get a more comprehensive view of how I live my life and how it is different from everyone else's

Unit 62: digital Videos for interactive media - Task 1

Task 1- Uses of Interactive media
Interactive media has many functions. it's primary method are videos. other forms include photos, sound bites, and gifs.
the applications for digital videos include short films which are films but are roughly 10 to 30 minutes long maximum, they could be promotional material such as adverts on Television or on the internet about new hygiene product or a political campaign and trailers for new video games, film trailers their main point is to entice new audiences to go and see it by showing the viewers exciting /enticing shots that would draw them in, in between the actual game play of video games there are videos called cut scenes they are usually created through animated /motion capture or though not very often and usually it is seen with movie tie-in-games.
There are many platforms interactive media can be shown through. A person could use Emails to send a video to another as long as the video is a certain size however if you wanted to send a larger video file, the file would need to be compressed, there are numerous websites that play videos on the internet some of the most notable websites include YouTube, Daily Motion, and Vide Me.  In regards to mobile devices they can be used to view or record videos which will inevitably released on to social media. When DVD's were first released back in the early 2000's the buyer could either purchase the single disk release which just came with the movie or the double disk release which featured the Behind the scenes featurettes such as costuming, stunts which showed the production processes of making the completed film.


When files are too large to email or if you want to make it easier to upload One would need to compress the file in order to make the transference quicker. There are two types of compression Lossy and Lossless, Lossy compression is where the quality of the received video is lesser then when it was sent. when the file is compressed what happens is that partial data discarding and inexact approximations because of how the data is encoded. Lossless compression is where it remains the same level of quality and exact approximations of the data encoding from when it was sent.


The reason there is different file formats is because different platforms will only accept a certain number of formats, for example YouTube allows .MP4,  .AVI, etc. When it comes to what file format is better it depends on which platform the video is shown on for example YouTube the best file format in my opinion .MP4 but on daily motion it could that .AVI is the best format.


The Difference between streaming and downloading is that when you stream something you need a decent broadband/ Wi-Fi connection in order to watch the video's content where as with Downloading you can watch the video when ever but there is the possibility that when it was downloaded the file compression could have been a lossy compression.


As stated before different file formats work better for different platforms. also depends on the preferences of the Platform's developer and how they designed the programs that run the file.


File size is a matter of the platform as well because if a video is sent via email that it would need to be compressed and there is good chance the file's quality would be poor

Unit 31: social action and community media task 3

The mutual respect and tolerance video was filmed at 5 Bathgate Terrace, Hartlepool the filming date was January 31st
The project manager for this video was Taylor Henderson and the script was written by Kane Smith and Chloe Handley.
The video was originally going to be a comedy sketch but after a brainstorming it was changed after it was realised how some jokes could be taken the wrong way.  the filming location was either going to be Adam Mclean's home or Ben Siddle's it was decided to that Adam's home was to be used due to it being more accessible then Ben's.
There were several problems that arose in Pre-production as the filming date came closer. because one of actress  had to drop due to mock-exam.so they had to drop out so we had to find another actress who fit the bill of multiple ethnicity. another problem that arose regarding location and whether or not we were able to gain access to the location before 11 o'clock in the morning. which we were.
The crew call was for 10 AM 31/01/17 once all of the crew, actors and equipment had gathered they went to the location.
Cast:
  • Andrew Bramfitt as Granddad
  • Diannne Garland as Mum
  • Ellie Garland as Sarah
  • Dylan Ward as Jacob
  • Beatrice Andrea as Girlfriend 
The filming crew was:
Ben Siddle as Boom Operator
Matty Dickens as DOP
Taylor Henderson as Director
Jess Bramfitt as Production Manager.
Shawna Cane as Make-up

As stated previously I worked as research about ethical considerations for pre-production on the shoot


The completed video was released 6th,February 2017 on YouTube.



Anti Smoking
the Anti-smoking video filmed at the Dubliners Pub, Bridge Street, Thornaby, Stockton-On-Tees. The filming date was 3rd April 2017.
The filming crew was:
  • Matty Dickens - Director
  • Jess Bramfitt - assistant director
  • Ben Siddle - Camera Operator
  • Chloe Handley - Production manager
  • Rhys Collins - Boom Operator
The cast was:
  • Sol Talbi as smoker
  • Shannon Milligan
  • Kyra Robinson
I was supposed to be Runner but since it was a small filming shoot I wasn't needed on set.


the crew call was 9:30 and filming started at 10:30. There was a problem with the interior shots regarding the lighting because the actors were sat next to a window. so the sun light was streaming through the window, apparently Matty propped his jacket in the window to stop some of the light coming through.
The completed film was entered into the Cut Films National Anti Smoking Competition for which it was nominated.
The completed film was released on YouTube on May 16th 2017





A fourth Project is a recut of my documentary from a previous assignment, the content of the documentary is about my autism and how it has affected my life and my interactions with others. The people who I spoke with and interviewed was the SEN manager at my old secondary school All Saints Academy, Mrs Liz Gaughn. I had a group discussion with my current college class, and my parents, I was the one who arranged the interviews especially the one with Mrs Gaughn as the interview had to be on a Friday evening after the school day had concluded, the group discussion happened when we had every member of the group present. the interview with parents was filmed during the winter holidays.
The original cut of the documentary was released on January 12th, 2017, despite the fact that the factual part of it ended at around the 15 minute mark the video itself was 22 minutes long. Once this as noted I made the necessary changes to the video so it was 15 minutes but the editing of the video was slightly loose and needed tightening

Tuesday, 20 June 2017

Unit 4: Production management report

Planning
I started planning my PMP by coming up with several different ideas. My original idea was to film a lightsaber fight in the dunes of either Redcar or Hartlepool beeches. The fight would feature the protagonist mainly running from the antagonist as they ran and fought through the dunes.
Another idea I had were to make mock movie trailers of specific genre’s which parodied all the tropes of the specific genre’s they were about, for example if it were an action movie there would be explosion, guns, corny one liners, terribly developed romances.

My third idea was to make a music video but I was indecisive of what song to make a music video for. I narrowed it down to two songs, Kiss from a Rose by Seal or “Never Gonna Give you Up” by Rick Astley.

The idea I decided on was to make a new music video for “Never Gonna Give you Up”, the story for this new video was based on a slightly different take on the lyrics of the song,  where the singer is stalking a girl after they bump into each other. The story is slightly inspired by the music videos for Robbie Williams “Candy” and Maroon 5’s “Misery”. Every time that “Rick” tried to woo the female character she would repeatedly say no to his advances but he would keep trying until the female character got progressively violent hitting him before she finally unveiled a restraining order.
However when I was making the Pitch to the rest of the film students and the make-up students I was convinced to alter the story slightly so that instead of “Rick” being progressively more injured by the female character instead every time he would try to speak with her he would injure himself in his excitement.

Two of the Make-up students volunteered to work on my film Abbey Victoria Waugh and Sophie Brignall. I met with them individually to discuss the notes and the research they had performed into the fashion styles from the 1980’s

Once I had selected my idea I had to research other songs from 1980’s in order to understand the codes and conventions of music videos from that time period including Rick Astley’s other songs. Then I decided to form a production crew. The members I chose were Matty Dickens as Director of photography, Jess Bramfitt as Script Supervisor, Matthew Taylor as Assistant Director with myself as the Director.   

Once I had performed all the research and formed a production crew I then started to scout for actors, I looked through the acting students. I decided to use Connor Honeyman and Beatrice Andrea But I did consider using Dylan Rudd, once I had chosen the actors I contacted them to see if they were interested. Which there were because they came into 224, Matthew and I told them about the premise for the film and the characters, and they were willing to take part in the film.

The day of filming was to be the Fourth of April 2017; the morning of that day was slightly hectic as I had misplaced a prop and there were several other problems as well but thanks to the rest of my crew I was able to calm down and get everything in order. We shot three scenes and a voice over. The first scene that was shot was where “Rick” (Connor) the male character sees “Betty” (Beatrice) the female character chatting with her friend when someone gives Betty his number but she tears it up and in his excitement Rick smacks his face off a metal beam when he looks up he sees that Betty and her friend has left. The second scene we shot was where Rick was pinning up a “Board of Love” but he falls off of the chair he was standing on and breaks his arm.
The third and final scene we filmed that day was the scene when Rick and Betty first bumped into each other.

The second day of filming it was mainly doing pick-ups from the first day of filming such as showing Rick walking away after he first bumped into Betty and the scene when he fell off of the chair he is shown in pain clutching his arm. Then we filmed the second scene of the video when Rick was spying on Betty and another one of her friends with binoculars but when he is spotted he runs away but trips up because he was still holding the binoculars up to his face, Gaining a bruise on his face.

The third day of filming we filmed the last two scenes of the video where Rick is in a wheel chair but when he sees Betty walking nearby he stands up forgetting the cast on his leg so he falls over on to a crash mat borrowed from the dance studio. The second scene shot that day was in the upstairs beauty parlour in SRC 2 the reason for filming in there is because it resembles a hospital room this was the last scene of the film.

After much back and forth about what time and day the actors and crew were available to film, I was finally able to pin down a date it was during the May half term holiday on the second of June, unfortunately two members of my crew were unavailable due to illness and family commitments so I had to ask Chloe Handley to come in. the first scene we shot was when Rick after seeing Betty drop a scarf while crossing the road goes to pick up the dropped scarf but he fails to notice the oncoming car and then he gets hit by said car breaking his leg the last scene we shot of the video was a pick up from the previous filming day showing betty walking into SRC 2 from Rick’s point of view.
We wrapped at five Pm on the dot. And now it was just a matter of completing the editing process.

I completed the editing process on the 12th June with the help of Taylor Henderson, Matty Dickens, and Kelly Fairhurst.

To conclude I think that this project was a tremendous success and that the final edit of the completed video is my best editing yet I believe.

Thank for reading this report and I hope you enjoy the completed video.    

Monday, 19 June 2017

unit 31 Social action and Community Media Task 2

There were three videos made for social action, the topic of the first one was about the "Mutual respect and tolerance of those with different faiths and beliefs, the second one was about democracy regarding the most recent snap general election which was about the right to vote. and the third while not offered in the initial list was about convincing people not to smoke


I performed research for the mutual respect and tolerance regarding the ethical considerations of the video.

Thursday, 15 June 2017

Unit 37: task 1 Understand Presentation Roles and Techniques Part 1

From 1920 - now, presentation techniques have changed significantly, now we have chat shows like the Jonathan Ross show on the BBC or ITV, and Ant and Dec making celebrities eating kangaroo testicles live on Television where as before and on several other programs such as the news they tend to be more serious.


Pathe News:
Pathe News started in 1910 and operated for sixty years discontinuing in 1970. They primarily produced documentaries and newsreels. the newsreels were shown in cinema and were silent until 1928. Originally they were a duration of 4 minutes and were released biweekly. These clips were filmed from a single angle/position and they would show the audience the full clip where as now there would be commentary and cutaways to the studios. In-between the clips
Notable news reels that Pathe had captured include The fatal parachute jump from the top of the Eiffel tower by Franz Reichelt.
As you can see from the clip Pathe had slowly started to including more panning shots and more cutaways in their newsreels 
During the first World War the cinema released newsreels were known as Pathe Animated Gazettes and this was the first time that the newspapers had received major competition. after the war had concluded Pathe released longer and more comprehensive newsreels called cinemazines.
In 1927 Pathe sold the British branch to the now dissolved company First National. By 1930 Pathe' started to include a wide range of coverage for example sports, women's issues and entertainment in programmes such as 'The Pathetone Weekly', and 'Pathe' Pictorial'. Three years later Pathe' gained another new owner The Associated British Picture Corporation, 25 years after this Warner Bros acquired the company and it became known as Warner-Pathe'. Pathe' stopped producing newsreels in 1970 due it not being able to compete with Television but it took another ten years for the French Pathe'  to cease producing newsreels. During the newsreels run notable narrators were Bob Danvers-Walker, Andre Baruch, and Clem McCarthy.
Pathe was then sold to several more owner including The Cannon Film Group who spilt the company into the newsreels division from the it's Feature Film division. Pathe's feature Film Division is currently under the ownership of Studio Canal. in 2009 Pathe re-launched in it's own right and now it's entire archive is on YouTube for the whole world to see once more.








BBC News:
The BBC was first formed in 1922 however in order to avoid competition several newspapers publishers were able to persuade the Government to ban the BBC from broadcasting News until after 7PM. 12 years later the BBC was able to gain the rights to broadcast on it's own however it could not broadcast before 6pm until World War 2
When BBC News began televising they maintained the serious professionalism that came from it's Radio days. and they still remain professional however the morning news on BBC 1 have a sense of rapport for example the presenters have developed sense of camaraderie, they are able to joke about on occasion without loosing that professionalism however mistakes still happen.



No matter the mistakes the News readers still carry on like nothing has happened.
Notable news readers include:
  • Angela Rippon-The first female news reader in 1975.
  • Kenneth Kendall - The first visible BBC News Reader in 1955
In 1958 a report proposed how it would be better that the televised News were to get it's own newsroom along with an editor of the day

On April 20th, 1964 along with the start of BBC 2's transmissions was a new news programme called Newsroom which four years later became the BBC's first news programme to be broadcast in colour. In 1969, BBC News moved from Alexandria palace to BBC Television Centre where the BBC still operates out of today once the refurbishments are complete in September 2017.
The evening of September 14th, 1970 saw the first broadcast of the Nine O'clock news  
In the mid 1970's the BBC 2 news programme was renamed to News night it soon reverted to being called Newsday when the programme moved to an early evening slot
BBC Radio 1 launched a new news service on September tenth, 1973.
January 28th, was the launch of Newsnight on BBC2 unlike the one from the 1970's which was a simple news bulletin this was a 45 minute long programme.
By 1982 technology had became sufficiently advanced enough for reporter Bernard Hesketh to report coverage of the Falkland War this was the first time that the BBC filmed a conflict digitally instead of by film.
In the following January of 1983 the BBC launched it's first breakfast news Programme "Breakfast Time" the style of presenting was quite relaxed in comparison to the BBC's other news programmes of the time.
By 1987 the BBC decided to go under a slight rebranding for it's news programmes, so that each different programme had it's own unique opening sequence and accompanying music.


10 years after this 1997 the BBC Launched BBC News 24 to provide continuous and live coverage of news from across the UK and the Globe. the following year BBC Radio News after 66 years of operating out of broadcasting house. 1999 saw the biggest relaunch with all of the BBC News channels and programmes adopting a single common format.


With the start of the new millennium came with even more changes to the BBC, to start the 9 O'clock news was moved to 10pm at night, the region based news programs lost five minute at the end of the programme. December 2003 BBC world and BBC News 24 introduced a new style of presentation which was slightly altered for the 50th anniversary of BBC television news
May 2006 bulletins received titles and set allowing breakfast to move back into the main studio for the first time since 1997.


from august 2012 to March 2013 all of the BBC operations moved from BBC Television centre to New Broadcasting house.


Newsround:
Newsround was a short news programme aimed towards children and early teens, Originally called John Craven's Newsround before his departure in 1989. The programme has run continuously since 1972, it was initially conceived as a short series mandated by the BBC's children department. over time the programme gradually developed it's own development team.
 

As you can see the presentation of the video is slightly more mature then what it is now like the news programmes for the older audiences. By covering slightly more political topics or other topics that the programme's target demographic would find interesting.
Where as if you look at the example above of how modern Newsround is filmed the set is much larger then how it was during the 70's and more colourful, the news reader talks about more appropriate topics for the age demographic.
Modern Newsround also has had several spin-off's for example Sportsround and Newsround Review of the Year.

The BBC had a similar style show for teens to young adults called sixty seconds which is how long the programme lasts. The programme was launched in 2001 on BBC Choice a predecessor of the now online channel BBC3. the programme ceased broadcasting when BBC3 moved to BBC Iplayer



As you can see the presentation style is like Newsround but it only has time to give brief details of about three news stories per programme.

Wednesday, 14 June 2017

PMP Production Diary: 13/06/17

Today was when we finally completed editing Never Gonna Give You Up, which I have been editing throughout the filming process. But today was when I finally finished editing the film. The completed film is below. 

Tuesday, 13 June 2017

Unit 15: task 3 stage 2 - Business plan


Mr Reed’s Ecards and photos business plan

This business is a photography and Ecard Production service. If someone wanted to create E-cards either for Valentine’s Day, Easter, Christmas or someone’s birthday I could either film a personalised message or take photos for someone’s family, work, and class photo.

What make my Business different form others are that we are a local friendly private business meaning that we won’t share anything unless the clients/ customers allow us to.

 

The benefits my business would offer are that we are willing to come to the customer if he/she allows us to and we do location photoshoots.

Our customers would buy our product because of the quality and cheap services offered by my business. If I can acquire suitable studio space I would need DSLR’s cameras, Lights, printers, Tripods, and  

Background sheets including a green screen.

 

My target customer base is families however I will also provide service for schools, work places, parties and weddings and cosplayers if they want location shoots to show off their costumes.

I plan to advertise my business via social media such as Facebook, Twitter and Instagram. My marketing plan is to also include advertisements in local newspapers and shops.

My sales strategy is that for the first 2 months I intend to get £50 profit on average per week. To do this I would charge the client/customer £6 per hour in the studio or £7 on location if they wish for a photoshoot. 50p per copy of each customer approved photo there will be discounts around Christmas or Valentine’s day, Mother’s day, Father’s day.

 

The people I would need in my team are someone who would know how to set up a camera, lights and how to edit in a backdrop. They would also need to have skills in operating social media such as Facebook.

Work hours in the studio would be 9 am until 8 Pm

Thursday, 8 June 2017

unit 15 task 3 stage 2

The different sources of work i could consider include working for one of the local filming companies, or as an assistant helping 1st year college students get to grips with the software they would be using for the next two years.
I could use social media such as Facebook, twitter and Instagram in order to reach and communicate with new and old clients/customers because that appears to be what many small businesses do these days I could also puts advertisements in the news papers or in local shops rather old school but still effective. I could also offer discounts around Christmas or valentines day depending on the bulk of photos that need to be created or videos that need to be edited.

My targets and goals include to get on average £50 per week for the first 4 months but as time goes on I would like to be earning more as my client base expands. Another target is to get 100 followers each on Facebook, Twitter, Instagram within the same four month time span.
The initial staffing at would be myself and possibly someone operating the computers and printers while I took the Photographs. eventually though I would like to expand such as having a receptionist taking calls and greeting clients as we are finishing up with the previous client/customer and possibly additional photographers if we get sufficient studio space so we can get more profit and go through clients and get more profit.

Wednesday, 7 June 2017

Unit 15 Creating a small business for media Task 3 stage 1

Stage 1
My media production skills include editing, Camera operating, sound recording, photography, Writing.
My editing skills are average but i can produce a sufficient cut of a film given dedication, patience and and a stress free environment however I may be understating my abilities.
My capabilities of camera operation are likewise average, I can name most types of camera angles and types of shots and what they are used for, for example a birds eye view is used for getting a shot where the camera is facing down pointing at the floor,an establishing shot can either by a panning shot where showcases an environment or a tracking shot where the camera focuses on a specific object usually an actor or a prop to establish the environment.
I can hold the Boom pole up high but not very steady I will admit to that but the sound usually is good so there is that.
I know how to set up the flash on a DSLR camera and how to set the lens focus to the specific settings for which event as well as how to set up the timer setting.
I am able to write good dialogue that doesn't sound like myself if I have assistance but I Need prompting to fully flesh out the character motivations and back story.

I could start an E card business as it does involve the editing filming and photography so I would be using three of my major Media Production skills. i could also start a photography business as well.

My idea for once my time at Ufilms has concluded would be to start a E card/photography business because it makes use of three of my major media production skills. For this business to be successful I would need suitable studio space. I would the appropriate equipment such as lights, cameras, tripods green screen, or various background sheets or whatever the client requested. I would also need the appropriate editing and/or printing facilities and software in order to produce what the theoretical client/customer has ordered.

critical appraoches downton abbey

The extract opens at least a day after the Titanic has sunk with the maids and servants being awoken to starts the day's work. It shows the servants quickly prepare the house before the Lords and Ladies awaken. When the newspapers arrive the entire staff is in shock at sinking of an apparent unsinkable vessel. the nobles of the house show subdued shock, sympathy, surprise and possibly indifference at the death of numerous unfortunate passengers.
 The extract's genre is historical drama. And everything is era appropriate for it being set in 1912.


The extract features several long tracking shots: The first one follows the one of the servants as she leaves the lower levels to light the fires on the ground floors; the second tracking shot follows various other servants as they attend to their duties preparing for the nobles of the house to awaken and descend for Breakfast; The third tracking shot follows Lord Grantham as he descends the stairs to the dinning room for Breakfast. The first and second tracking shots are quite quick and hectic as are all shots involving the Servants of the house. But the shots involving Lord Grantham and the editing regarding those shots are quite slow denoting his status and wealth.


The music has a sense of regal, elegance especially when Lord Grantham descends the stairs. There are chimes of the bells in the kitchen.


The mise-en-scene is era appropriate the old fashioned maid costumes, The Male servants have pressed suits with starched collars. The Kitchen is full of brass and copper pots and pans and silver trays and cutlery. The news papers are ironed and there is discussion of electricity being a relatively new thing being introduced in homes. There are wood fires and the news papers are ironed. Mr Carson is shown polishing what appear to be brass candelabras. Mrs Hughes carries large iron keys with her. there is a system of bells connecting to each room to the kitchens in the servants quarters, so that the servant are made aware. there are wooden crates by the back door and the paper boy is covered in soot and ink wearing scruffy blackened clothes. At the News paper printers. There is a woman operating a Morse code machine. The colours of the house are Grand and elegant but muted for instance the walls of the dinning room are a dulled shade of yellow. There are ancestral portraits upon the wall of the dinning room.